Sunday 31 July 2016

Arbor Low: A sense of place revisited

Sense of Place Arbor Low Artist Keith How and photographer Billy Bye held an exhibition of their work at Upper Oldhams Farm, Arbor Low this weekend. I wrote some words.
Mysterious and awe inspiring for thousands of years, folklorists, antiquarians and archaeologists have their own theories about its historical and cultural significance. Whatever might be their truths, those ditches were dug, those stones were shifted for a purpose. Nearby Gib Hill has its own story, dating back to the Bronze Age. Roman soldiers gazed in wonder as they marched past on their way North. What did they make of it? Did they recognise something and compare it to Stonehenge and Avebury, or the Bull Ring, its sister henge in Derbyshire? Before the stones were laid, before the cove was created, before this plateau of Middleton Moor found its level above the sea, tropical lagoons covered this landscape, sea creatures lived and died, their skeletons forming the beds that became the limestone rocks, now fissured and worn, with their own rock pools of rainwater. Bones and stones. A human skeleton was buried in the cove, the group of rocks in the middle of the circle. Another was cremated, ashes buried in the kist at Gib Hill. Look around and notice the lie of the land, the shapes of the henge echoed by the far horizons of the surrounding hills. Look above to the heavens. Enter the spirit of the skylark and see the shapes from the air. It could be a clock face, it might be a heart, it’s an oval, an egg. Timeless and eternal, in the present it’s a focus for awe and love, pagan spirituality and nature worship. It’s a portal and a place to connect with people who share a common purpose and a shared love for the environment and wild places, who care about the spiritual and natural environment, who need a sense of belonging in their local landscape and the cosmos. This place has had its champions and custodians over the centuries. There is a welcome to enter in from those who live here. They understand its importance. Solstice celebrations at the turnings of the year bring visitors. Ice sculptures are created from blades of grass in December, paths are hidden in the mist. In June the sound of drums accompanies the skylarks’ song and the planes flying overhead. Throughout the year, in any season, there are those who find their way here with a bunch of wildflowers, a crystal, a drawing, an offering left in a cleft of the stones. It’s a place of pilgrimage and a place of deep connection.

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